I write these intros because they help me keep the front page clean. If I didn’t, then the front page would be about three miles long. My verbosity should be well known by you folks.
Y’all know what I’m doing, but I’m gonna type it out again. Why? If I don’t, then I won’t have a good spot to put in the “read more” tag and the front page would include the whole damned article. Trust me, it doesn’t look good.
People have claimed Jimi Hendrix was the greatest guitarist of all times. Those people are a pack of morons. They include such illustrious publications as the idiots at Rolling Stone Magazine and even Time Magazine. There are more, but I’m mainly pissed at Rolling Stone Magazine.
Don’t get me wrong, Jimi was a fine artist. Yeah, he played a guitar. No, he didn’t play it very well – at least not when compared to the best damned list of guitarists on the Internet. Seriously, if you don’t believe me then just click that link right there and learn. There are many, many guitarists who were better than Hendrix and some of them were even more influential.
Today’s guitarist isn’t all that well known but was fantastic and has a great story. Kids today probably have no idea who he was and it doesn’t help that he mostly played goat ropin’ music. He was also a singer, songwriter, television host, and even an actor. Well, Wikipedia tells me he was an actor but I can’t say that I recall ever seeing him in a movie. I guess he was in True Grit but I don’t actually even remember what that movie was about.
So, it’s on to our next artist who played guitar in his sleep better than Hendrix played while awake.
This is just a short series of lessons I’ve learned from a career that was long and not even remotely illustrious. These aren’t lessons I found in a book. These aren’t lessons that anyone seems to ever talk about. They’re just things that I found out the hard way.
I’m hoping that they’ll do you some good. If you’re thinking of becoming a performing musician, then this list is for you. If you’re already a performing musician, it’d be great if you’d throw in some lessons you’ve learned along the way.
This series is dedicated to telling people the things they’ll want to know if they’re going to become performing musicians. These aren’t things you find in a book. These aren’t things that you’ll be told by other performing artists. These are things that are lessons I’ve learned over my performing career.
It’s a pretty light-hearted look at it the industry, at least that’s my goal. But, in each case, there’s a reason that I list these as rules. So, while they may seem unimportant, they’re actually very important.
If you’d like to see the existing rules, then click here and enjoy. I’ll add more rules as I go along. As always, I appreciate your comments and feel free to add any rules you’ve learned and want me to include on my list.
This is going to sound paternalistic, but hopefully not patronizing. Some of my guitar goats (italics intentional), aren’t just guitar players and some of the recent conversation has been about performing. There’s actually a lot that goes on behind the scene and they’re things many people aren’t actually aware of.
On the other hand, some of us have been at this for decades and we’ve learned a few things. They’re not things that everyone knows and maybe you already know them?
These are going to be mostly short and I’ll push them out when I have time. I’m not going to include a whole bunch of things at once. I absolutely request that you other performers go ahead and share the lessons you’ve learned with us. Write ’em up as a comment, if you would be so kind. I’ll package the appropriate ones as new submissions.
I have a few free moments and figured I’d take that time to push something extra out this week. Why not? It’s not like I was doing anything better.
Today, I’m going to start with a story – of sorts – and then tell you about a company called Washburn. It’s not a very long story*, but it’s very unlike what most people seem to remember and it’s not even remotely like what Washburn would have you believe.
*I kid. It’s actually pretty long by most standards, but not that long by my standards. Still you’re going to want a cup of coffee.
By now, you should be well aware of what I’m doing. If you’re not, then maybe this link will help you out. That’s the complete list, so far, of guitarists who are better than Hendrix.
The short version is that Hendrix receives many accolades and much praise that, frankly, he doesn’t deserve. It is my believe that “best guitarist” should be based on technical prowess, above all else.
The best guitarist isn’t about who liked who and what was popular. It’s not even about who had more influence. It’s about the technical mastery of their instrument, knowledge of music theory, ability to compose, and consistency in quality.
In fact, there are guitarists on this list that I really don’t prefer to listen to. However, they are on this list because they’re fantastic. They have mastered their instrument and bent the sound to their will. They have understood the instrument better than the rest. They have used the instrument to create works that are legendary.
There are so many models of guitar that I am not sure anyone can ever be an expert with regards to all of them. There are variations by year, custom orders, short-lived models, and more.
Well, the Gibson Les Paul (GLP) is no exception. If you ever decide you want to become a collector, then collecting the various GLP models is a stupid place to start.
That’s right, I just said it’s stupid. Why?
Because there’s tons of them. I have a pretty nice collection and not even I have them all. But, they come with so many variations that you’ll be a lifetime just getting half of the models.
Alright, for the purpose of this discussion, we’re going to have three different types of guitar body. We have a solid body, a semi-hollow body, and a hollow body. We’re also going to limit ourselves to discussing just electric guitars. Yes, you can get sound from an unamplified semi- or hollow body guitar. Skip it. I’m not writing a damned encyclopedia for you.
Alright, TheBuddha, now you’re just being confusing.
Well, sit down and take notes ’cause I’m only going to say this once.
Solid Body: This is a guitar body made out of a single piece of wood (typically) and will have no chambers designed to resonate.
It gets weird here, but trust me… A good thick solid body (like a GLP) will have oodles of sustain, is pretty easy to lay on effects, and is much easier to amplify louder with less feedback. Not that you can’t do that with the other models, but that requires skill and can be a bit of an art form learned over decades.
These are guitars like the Fender Stratocaster, Gibson SG, or the Fender Telecaster. This is what one might look like:
Hollow Body: This guitar will have lots of resonating space – it’s usually pretty much like an acoustic in regards to the fact that it’s mostly empty. I really shouldn’t have to explain this, but I feel compelled to.
This bad boy is lovely for jazz or even amplification of classical music. You get deep, rich, vibrant tones – and lots of clear bass. And, you get feedback if you go too loud, effects may sound muddied, and (believe it or not) they’ll often get less sustain.
It takes some work to truly master the sound from a hollow body electric guitar. I do not recommend folks start with one. They might look something like this:
Semi-Hollow Body: Somewhere between the hollow and solid lies the middle. There are so many different kinds that I am not even going to bother trying to list them all.
You’ll get a wonderful blend of tone, sustain, and ease of play. There’s a bunch of models but the one for this topic is the GLP ES. It looks like this:
And that, folks, is the holy grail. Oh, there are many other fine GLP models. There’s the Studio, the Junior, and countless other models. But, that one right there is the perfect blend of sustain, ideal weight (though a little light for my taste), ease of adding effects, warmth of tone, durability, and value for price.
If you’ve already got a GLP and want to plunk a few more bucks down, then the ES model is a very, very fine choice.
Now, to my point! (I typed all that just so that I could type this.)
Most folks are only familiar with the solid-body GLP but there are a number of different models that span many, many years and have many variations. It’ll take a lifetime to collect all of them, but I’ve never met a GLP I didn’t like. I have a great fondness for the ES model, but not many musicians play them. So, as I typically do covers, I seldom get the chance to play them for other people.
Either way, there’s some history/lesson/gibberish stuff for you. I’m not sure if this will help you understand anything, nor am I sure what I’ll write about next, but it’s something and something is often better than nothing.
Now, shut up and play us a song! (And until next time…)
If you don’t know the drill, then see this link. My goal is to recognize guitarists who had (or have) greater technical mastery of their instrument than Jimi Hendrix had. The reality is that Jimi wasn’t actually a very good guitarist. So, when reading these, please keep in mind that the topic is technical ability – and not what we prefer.
Our next featured guitarist is actually one that I really enjoy covering. He had a background in folk and classical. His career lasted for just a decade but, in that short amount of time, he left a legacy that is astounding.
Without further introduction, let’s move on to our next guitarist.
I know there are plenty of resources on the web for guitar lessons. Yet, I still keep feeling the need to add more to the list. The problem is, I can never really think of things to write about. So, today, I was playing a Gibson SG and I decided that’d be a fine thing to write about. Continue reading “Let’s talk about the Gibson SG!”